When I wrote this I gave it the tag video art/gallery film. I did that and wrote the below before seeing more than a few minutes. "The fabrication of a reversion to childhood", but only the imagery: the sensory overload of new experience. It would work and maybe work best as an installation, with the audience being able to stand or sit, or lie down. It's a a hybrid, like Hou Hsiao-hsien's Assassin, and for the same reasons.

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"I have always confused cinema with life" And that was his weakness his art, and his politics. He was a rich kid who became a Maoist, then a confused middle-aged man, and then an old fool, all without really growing up.  Richard Brody says Godard "turned the cinema into the central art form of his time." It's the central art form of the 20th century. 

I think I said somewhere that the New Wave were the first filmmakers to see themselves as students of film, as readers if it before they were craftsmen. All bookish schoolboys. They were"filmmakers for the age of television". But also important to know what education means in France. 

"ARTISTES: Tous farceurs". Goodbye to language. The fabrication of a reversion to childhood; the articulate description that only an old man could pull off.

"Pour Jean-Luc" The second film is a repeat.