Monday, January 10, 2022

Kieran Healy
Something that's happened to me several times when teaching social theory to undergrads at various places is we start reading Weber and then I have to back up and explain what the Reformation was and then one or more students discover to their surprise that they are Protestant.

Noting the failure of American secondary education, ancillary to a discussion of the sociology of American religion.

Also Kieran Healy


The lead character and her husband, modeled on Hanson-Løve's parents, are referred to as "philosophy professors" in American reviews, because of the subplot involving her publishers. They're high school teachers. That's unimaginable in the US.

I don't want to oversimplify, and I'm not

"I wasn’t hostile to May ’68, but whereas the people who participated in it saw it as a beginning, I saw it rather as an end. May ’68 was the first stone thrown into the pond of Marxism. The ideological collapse of Marxism began in ’68. Because I believe that May ’68, paradoxically, cured many people, including perhaps me, of communism and anticommunism. I think that the kind of Marxist fever that took place after May ’68 carried within it its condemnation and its end, it was a last flare-up. That’s how I saw May ’68, and that is why, personally, I remained absolutely indifferent, serene, with regard to what might happen. I continued with my work."

I'd love to see some bourgeois self-awareness in this country. But self-awareness is pessimistic, and here even comedy—also pessimistic by definition—is used to reinforce the optimistic imperative.  Laughter is nothing but a symptom of denial.

"You must look through the surface of American art, and see the inner diabolism of the symbolic meaning. Otherwise it is all mere childishness...."

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