Showing posts with label Miyazaki. Show all posts
Showing posts with label Miyazaki. Show all posts

Monday, July 17, 2023

Miyazaki hates Otaku.

updated a few time, this time at the top. It's all so fucking stupid.
The Idiot Tushnet, and co., restating his old argument.
The Supreme Court has unanimously held that Jackson Pollock’s paintings, Arnold Schöenberg’s music, and Lewis Carroll’s poem “Jabberwocky” are “unquestionably shielded” by the First Amendment. Nonrepresentational art, instrumental music, and nonsense: all receive constitutional coverage under an amendment protecting “the freedom of speech,” even though none involves what we typically think of as speech—the use of words to convey meaning. 

Jackson Pollock from 1952, 

Jackson Pollock, Blue Poles (Number 11)
Daniel Bell 20 years later. "Behind the chiliasm of modern man, is the megalomania of self-infinitization." 

Atomization, isolation and the illusion of absolute community. The low buzz and hum—the violence and warmth—of neurological overload. 

Lewis Carroll's conservative mathematical fictions.

I've said it all before 
[Weber] imagines an impersonal relation to the world. It’s a common trope of the literature of the period, but the impersonal in art and technocracy, though the product of the same events are very different things....  

By the time anything becomes known as an idea, it’s been around for awhile 

From rationalism to positivism to a world of shit.

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Two from the NYRB

“There is a big secret about sex,” wrote Leo Bersani in 1987. “Most people don’t like it.” The same might be said of translation, which many readers secretly consider a necessary evil.

Translation is transliteration. It's a necessary evil. Utilitarianism turns practical necessity into the ideal, so its weaknesses are now "secrets". And another name for the file of women getting their model of sexuality from homosexual men. Post-feminism is pre-feminism on crank, and rationalism makes you stupid. Or the other way around. An asshole doesn't have a clitoris.  Call it female circumcision by category error.

In his films for children, Hayao Miyazaki has used the labor-intensive art of animation to study the major problem of adult life.

That was the subhead, but still. No fucking shit.

The director sticks to a deliberately vague line, one that could be applied to the most anodyne Disney venture, that all his films are about “how to live.” Few scholars or critics have done the work to penetrate this author’s statement. “What’s it about?” asked Nigel Andrews of Spirited Away. “Simple answer: Everything.” Ligaya Mishan writes that Miyazaki’s films seem to “thwart the Western mind.”

A world of idiots.

Miyazaki is the benign ruler of his domain. He's a master and treated as one by his employee/servants. He's a filmmaker and an artist. His wife "hasn't forgiven him" he says, for making her stop working as an animator. Nothing about any of this"thwarts the Western mind". There are many things in his work that are foreign to the Western mind, but French art is foreign to the English. You can't translate Rimbaud, Mallarmé, or Lady Murasaki, but there's nothing to translate in a painting—a material thing—or an image; the difference is in the perception by individuals and members of various groups. Japanese people understand Miyazaki in ways Europeans will not, but the thing absent perception is the same. 

Spirited Away is a film about children and the adults who care for them. Miyazaki's closest equivalent in the US is Maruice Sendak. In Europe it's Tove Jansson.

You will never understand the inner workings of another mind; all you have to work with is your perception of their actions, or the record or description of those actions by others, rendered in form. Proust is untranslatable; he could never be an English novelist; the past is another county. Acknowledging these things is the beginning of adulthood and intellectual life. We're ruled by big children in university chairs and editorial offices, and it makes me want to puke. 
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in re: the "Western mind". A commenter, Zina Hitz, on Leiter's post reporting the death of Harry Frankfurt
When I met him at Princeton I was already trained as a scholar in Greek philosophy. But I had not fully realized that I could use philosophy to think about my life or what t means to be a human being.

Princeton philosophy in the 80's

"My students were all obsessed with sex. Not the idea of sex, or the meaning of sex, but sex!"

Rakesh Bhandari comments about Frankfurt's discussion of 1st and 2nd order desires. Maybe Frankfurt will be remembered for teaching geeks that there's more to life than being geeks, the same transition Derrida played a part in. One of them would be amused. I still think I coined the phrase second-order curiosity, meaning the ironic awareness of an interest, as a way of explaining the problems of analytic philosophy. Autism is the model of first order curiosity: subtext, and other people, are irrelevant. "I'm a liberal"; "I'm a nice guy!" "Some of my best friends..." "I have an extended mind!"

Mathematics can't tell you why you wanted to be a mathematician. "Science can't even justify science." Steven Weinberg, whose philosophy justifies Zionism, as Leiter's does.

Bhandari, in the past, and recently.
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Two by Tushnet: one pushing his version of the "unitary executive" and another, on free speech and art, again. He belongs with the idiots above.

A few weeks ago, my family went on vacation in Copenhagen, where we ate at several top-of-the-line restaurants. My reaction to the meals? “How incredibly creative of the chef.”

A few weeks ago, my family went to DC, where we met with several top-of-the-line law firms. My reaction to the briefs? “How incredibly creative of the partners.”

Briefs are referred to as well crafted. "Lawyers are tradespeople!"

None of these cases are about speech; they're about the relation of speech to commerce. 

The idiot

A different example, with the same analytic structure, clarifies the problem. Switch from discrimination on the basis of religion to discrimination on the basis of race. Now the chef makes dishes to preserve white culture. An African-American comes to the restaurant, but the chef says, “Sorry, I won’t serve you because my message that these foods are preserving white culture would be diluted if people saw Black people eating at the restaurant.” We might say that the restaurant owner’s choice of a business model is his way of expressing himself: His expressive conduct is his expressive activity.

White Trash Cooking is a cookbook, and anyone can buy it. The KKK can open a restaurant, but it has to serve niggers, gooks, spics, and kikes. Equal access to the market, in a commercial culture: from Wickard vs Filburn to civil rights, the market takes precedence over social and private life. 

After Tushnet's open letter: 

—NBC, Alabama Republicans refuse to draw a second Black congressional district in defiance of Supreme Court.

—National Review[!], Harvard’s Mark Tushnet Wants Joe Biden to Become a Dictator

Tushnet is a famous opponent of judicial review, and now Alabama Republicans and supporters of the independent state legislature theory have heeded his call. On executive supremacy, Posner and Vermuele at least are consistent. And all of this and everything above, with the same paper-thin idea of language, and politics.

Sunday, November 22, 2020

Miyazaki hates otaku and I hate geeks.

Saturday, December 26, 2015



“People who design machines and airplanes, no matter how much they believe that what they do is good, the winds of time eventually turn them into tools of industrial civilization. It's never unscathed. They’re cursed dreams. Animation, too. Today all of humanity's dreams are cursed somehow. Beautiful yet cursed dreams. I'm not even talking about wanting to be rich or or famous. Screw that. That's just hopeless. What I mean is, how do we know that movies are even worthwhile? If you really think about it is this not some grand hobby? Maybe there was a time when you could make films that mattered, but now? Most of our world is rubbish."
In the documentary the producer Suzuki is shown pitching the film to executives around Japan; he's very direct about Miyazaki's father and Miyazaki Airplane making parts for the Zero.

Miyazake's essay published by Studio Ghibli, on the war, the constitution and Abe.
Also in FP.  The original here. I missed it at the time.

The issues comes up in conversations recorded in the film, at a production meeting with staff and producers. At the end of the film after the essay has been published there are jokes about a backlash.
Suzuki- It's front page-news today. [Miyazaki laughs] They quote you from the article.
Miyazaki- Well, good.
Suzuki- This may impact the election.
M- The reaction is mixed?
S- Yes
M- Well, what can they do? [to the woman on his right] If Suzuki-san gets killed, [laughter] I'll go and die with him. Takahata-san will be stabbed too. But I'm glad they mentioned the constitutional reform.
[Shot of a Newspaper] Hayao Miyazaki says "Leave Constitution Alone"
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This notion that one’s goal in life is to be happy, that your own happiness is the goal... I just don’t buy it. Because... What do you think? Do you think your goal is to become happy yourself? I mean, happiness is... I've heard that from several people now and I wonder, is that what post war democracy has amounted to? I don't get it so I'm curious. What about Suzuki-san? He can't be doing this for his own happiness. So why does he do it? Do you work for your own happiness? I don’t ever feel happy in my daily life. Really, isn’t that how it is? How could that ever be our ultimate goal? Filmmaking only brings suffering.
I've never seen Grave of the Fireflies, or anything else by Takahata. I think I've been avoiding it.

Tuesday, September 24, 2013

“People who design machines and airplanes, no matter how much they believe that what they do is good, the winds of time eventually turn them into tools of industrial civilization. It's never unscathed. They’re cursed dreams. Animation, too. Today all of humanity's dreams are cursed somehow. Beautiful yet cursed dreams.”

Monday, December 19, 2011

Castles In The Sky: Miyazaki, Takahata & The Masters Of Studio Ghibli
Saturday, December 17 - Thursday, January 12
IFC Center, NY

Sunday, August 23, 2009

"Personally I am very pessimistic," Miyazaki says. "But when, for instance, one of my staff has a baby you can't help but bless them for a good future. Because I can't tell that child, 'Oh, you shouldn't have come into this life.' And yet I know the world is heading in a bad direction. So with those conflicting thoughts in mind, I think about what kind of films I should be making."

Thursday, November 20, 2003

Spirited Away...

Before I go [to bed]: Jonathon Delacour on Miyazaki Hayao's wonderful Sen to chihiro no kamikakushi. Read the comments as well.