More from Fried.

And John King, another former student, testifies to Wittgenstein's distaste for British (as opposed to American) movies precisely on the ground of their theatricality. "The Mill Road cinema . . . was the one he most favoured," King recalls, "and here he sat as far to the front as he could get, leant forward in his seat and was utterly absorbed by the film. He never would go to any British film; and if we passed a cinema advertising one he pointed out how the actors looked dressed-up, unnatural, unconvincing, obviously play-acting, while, in comparison, in the American films the actors were the part, with no pretence" ("Recollections of Wittgenstein," in Rhees, ed., Recollections of Wittgenstein, p. 71).

Reminds me of Charles Laughton's awe of Gary Cooper.