Free verse, or meter. Breaking the frame or the fourth wall. "Never did the 'rules' embarrass any genius", Eliot against Hamlet, etc. The English garden or the French. Straub or Huillet talked about a boom visible in a shot on the stairs in Psycho as a perfect cinematic moment, and that intellectual filmmakers design accidents, that comes off as false. A brilliant observation, but the rocking camera as an actor walks by on an unstable floor—in their take on Kafka—is as overdetermined as the framing. How do you construct the anarchic, in art or elsewhere? How do you make something that works for people with whom you have little in common? How do you make something that will outlast you? You never want to work for fans.

I follow my logic where it takes me, and I ended up with an image of someone trapped. I'm consistent. His expression is perfect but I didn't even notice it, or I wasn't aware that I had. 

Photographs, reject prints from my stockbroker, who used to race at Limerock. 

I took it apart and it felt like panel from an altarpiece that had been broken up. I think this is it.