Clark and Richter look downwards; Warhol's gaze more horizontal (or more ambiguous). He's less educated and more observant than either of them. Questions regarding sympathy are more complex.
Gerhard Richter, Confrontation 2, and 3, both 1988 |
Warhol, Electric Chair, 1967-68 |
Warhol, Double Elvis, 1964 |
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