Bourdieu, from On Television

But journalistic forces and manipulation can also act more subtly. Like the Trojan Horse, they introduce heteronomous agents into autonomous worlds. Supported by external forces, these agents are accorded an authority they cannot get from their peers. These writers for nonwriters or philosophers for nonphilosophers and the like, have television value, a journalistic weight that is not commensurate with their particular weight in their particular world.

…What I find it difficult to justify is the fact that the extension of the audience [made possible by television] is used to legitimate the lowering of the standards of entry into the field. People may object to this as elitism, a simple defense of the citadel of big science and high culture, or even an attempts to close out ordinary people (by trying to close off television to those who with their honoraria and their and showy lifestyles, claim to be representative of ordinary men and women, on the pretext that they can be understood by these people and will get high audience ratings). In fact, I am defending the conditions necessary for the production and diffusion of the highest human creations. To escape the twin traps of elitism and demagoguery we must work to maintain or even to raise the requirements for the right of entry –the entry fee- into the fields of production.

You can see why American academic liberals like him. He’s certainly not a radical democrat. He makes claims for aestheticism and high art that Anglo-American social scientists would never make [he’s French!] but he renders culture, or Culture, non-threatening. He's Modernist, a concerned technocrat. And that he claims to understand culture makes him more of a vulgarian, not less.