![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjTNcXH-0jSa1Jr0vzZvH-jT3NeFl-FhRsRpnOdHf5v-KgHPoFsk0BrzgS0EMbuUfz6dI_S7ip5LbgzQRPn8WHaP3NwKWSxvPeYM9BYOHsOOzRCh2mF4h_hpjeHihBlmno5fxOQXg/s1600/veronese-crop.jpg)
![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiu7cxdsIDBJOuSJQBvkAcA_wCOf7bwDQDbIOzLSn4cU3xyZ-eciUkel4dxYEjRS8I_OiyxEpVAtIG_4RJ0yhRGW88ZJxnxYMgDL8fmM4N7xa3VT4SscQpLpsyEnYtu4FM25ofapA/s1600/hc-bresson.jpg)
Top: Paolo Veronese, The Choice Between Virtue and Vice, (detail) c. 1580, oil on canvas, Frick Collection, NY. Bottpm: Henri Cartier-Bresson. Alicante (Spain) 1932.
A thought today, at the Frick. I looked up the photograph when I came home and it's even closer than I imagined. You wonder if he was carrying a postcard in his pocket.
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