The Dance of Death (and Oher Plantation Favorites)
Recurring themes.
Association of John Fahey with Glenn Gould: the tragic formalism of the blues and the ecstasy of autistic refusal and denial. Kafka's laugh, and his perfection. "Too perfect" as Thomas Mann called it. Eliot as modern and reactionary. Imitation is the sincerest form of flattery. Gould and Fahey's writing style.
Another analogy. Imagine Professor Immanuel Rath, unable to escape his fate, mastering his art and becoming a great performer of his role as fool, as the embodyment or the apotheosis of shame.
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