Monday, August 31, 2009

Prof. Harry Brighouse, "philosopher," in comment 30 of this post.
....during the run up to the establishment of the NHS, the option of banning private care was considered quite seriously, even by Bevan, and was rejected on several grounds, including that any proposal including it would get smashed by the doctors. The BMA was obviously a key force to making the NHS work, and its acquiesence had to be bought. Bevan famously responded to someone who asked how he was going to silence to opposition of doctors: “We’re going to stuff their mouths with money”.

This (stuffing their mouths with money) is not an option here and now. Nor, obviously, is preventing people from buying private care. (I’m in favour, for various reasons, of allowing people to buy private care, but agree with engels that there are reasons to prohibit it; John is wrong to imply that there is nothing wrong with rich people buying care for themselves—indeed, one thing that is wrong is that they could be buying it, instead, for people who are less well off). What worries me, though, about John’s response to engels, is that his repsonse may prove too much. I don’t think there is a cost-saving and moderately fair option that is consistent with the prevailing US political consensus. All the good options are too foreign, and that is one of the reasons that reasonable reform is almost certainly out of reach.
I've done this before, but HB sets it up perfectly here. Speaking in terms of an ideal of moral action it follows from the above that I shouldn't buy a bunch of grapes for myself without buying another for the homeless man outside the store. Fair enough, but following that ethic to its logical conclusion -and logic in these discussions is the point- I shouldn't cry for the death of my parents without crying for every person with an obit in the paper. My father used to talk with derision about the revolutionary in the Czar's dungeon who worried that he was getting more than his fair share of sunlight (the origin of the story is here) but to Brighouse and his ilk equal concern is equal concern. Read the introduction to "Legitimate Parental Partiality" by Brighouse and Adam Swift [pdf],  and consider the absent terms: "friendship," "intimacy," "love." The piece is synecdochic of its field; as I've said before the liberalism that tries to find or form non-contradictory truths in the world of experience is perverse.
Egalitarians believe that goods should be distributed much more equally than they are at present, but they also recognize that there are principled limits to the pursuit of distributive equality. Fully to realize a fair distribution would involve the sacrifice of other values that properly constrain egalitarian ambitions. Some barriers to the realization of equality reflect the value of respecting prerogatives people have to favor themselves. Even G.A. Cohen, whose egalitarianism is unusually pervasive and demanding, says that:
...only an extreme moral rigorist could deny that every person has a right to pursue self-interest to some reasonable extent (even when that makes things worse than they need to be for badly off people). I do not wish to reject the italicized principle, which affirms what Samuel Scheffler has called an ‘agent-centred prerogative’.....2
It is also widely thought that people have morally weighty prerogatives to act partially toward particular others. Indeed, the permissibility of partial relationships between individuals is a touchstone of liberal – including egalitarian liberal - thinking. David Estlund presses the point against Cohen, developing a series of cases of incentive- demanding motives that result in inequality but draw only on altruistic concerns -- where the other whose interest is being pursued is near and dear to the incentive-demanding agent.3 
These relationships appear inegalitarian in deep ways. The parties to partial relationships may exclude others from the mutual benefits their association yields and have special responsibilities to one another that give them the right, and sometimes the duty, to further one another’s interests in ways that may interrupt equality. Scheffler calls this observation (when made in an appropriately hostile manner) the ‘distributive objection’ to special responsibilities: ‘the problem with such responsibilities is ...that they may confer unfair benefit. ...special responsibilities give the participants in rewarding groups and relationships increased claims to one another’s assistance, while weakening the claims that other people have on them’.4 Indeed, participants in these protected relationships benefit twice over. They enjoy the relationship itself, and they enjoy the claims that it enables them legitimately to make on one another, to the exclusion of those outside the relationship.
The standard terms of opposition are partiality and equality. But partiality is a function of proximity: this is obvious, yes? And intimacy is proximity literally up close. But Brickhouse is incapable of using the terminology of human emotion even to describe its function and therefore its value. Most of us can not love intimately a thousand people. Believe me, it's been tried. But rather than accept and understand the conflict between two powerful "goods" (even the terminology implies commodity) Brighouse following the pack tries to construct an ideal balance. He wants the "right" answer. He wants the "truth." The best way to deal with the facts as opposed to ideas -and here's where Eliot's appreciation of James comes in- would be to describe both intimacy and law as positive and opposed forces. Instead of "partiality" say "friendship" and allow for its authority.

At a certain point it becomes a question not of right or wrong, not of absolutes, but of what we as a community choose to value; the balance itself is less important than how that choice is made. Brickhouse calls himself a philosopher rather than a professor of philosophy because he views philosophy as form of logical argument, and logic is considered close to formal science (so philosophy is more like chemistry than literature). But his logic sees the individual as constrained by community when another logic, equally valid but less reductive, sees the individual by necessity not constrained but engaged, as both member and function of society.  And Brickhouse can't even imagine how this could be so. He's unwilling to see friendship with all its moral weight both as constitutive and destructive of society because he has an ideological commitment to an abstraction reducible both to individual ideas and the idea of the individual. He's so full of shit his eyes are brown.
It's annoying having to listen to all the Kennedy crap. Wiser to bury him without the excess but that's not possible. Reagan, Bush, and even Clinton killed more people than he did, but Kennedy was responsible for the death of an American citizen, a white woman not convicted of a crime; his behavior following was both atrocious and criminal and he got away with it because of his family. All this is very easy to understand, which is why it riles the Republican base.
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Helena Cobban on Avnery and Neve Gordon. And AA on Hobsbawm.

Sunday, August 30, 2009


At the Met, after the Frick, I browsed through the catalogue for Marcel Duchamp Étant donnés, and found an image reproduced from Blue Velvet, but I searched the index for "Hitchcock" and found nothing. Beyond stupid, its just embarrassing. A camera is a wooden box with a hole in it to look through and Hitchcock is the archetypal cinematic voyeur/peeping tom.


Duchamp said early on[?] that he dreamt of forcing people to look at his work from only one place and point, I am a camera, indeed. [I'm trying to find an image from one of Hitchcock's early silents.] Lynch has a certain cachet as an experimental filmmaker, and therefore as an "artist." Again, like choosing Vertov over Eisenstein. Duchamp by 1955 especially was an artist in the age of film. He was more than anything a late 19th century artist in the age of film, which explains why he disliked it or at least distrusted it as much as he did. Hitchcock was just on the other side of the same manic/phobic relation to time.


Top: Paolo Veronese, The Choice Between Virtue and Vice, (detail) c. 1580, oil on canvas, Frick Collection, NY. Bottpm: Henri Cartier-Bresson. Alicante (Spain) 1932.

A thought today, at the Frick. I looked up the photograph when I came home and it's even closer than I imagined. You wonder if he was carrying a postcard in his pocket.
Inglourious Basterds, Contradictory impulses each followed one moment and denied the next. Usually his characters are cardboard figures brought close by his attention to the humanity of often less than skillful acting: that's how he's balanced the contradiction between artifice and representation. This time a few are richly drawn and performed, fully human not as actors documented on film but as compelling fiction, beginning with the farmer, and then Shoshana Dreyfus. Melanie Laurent is wonderful and her character is complex and tragic. Christoph Waltz as Landa is a Tarantino cartoon and a great one, but Tarantino indulges so much in his preadolescent Grand Guignol fart jokes that it undermines the tension. He hasn't figured out how to grow up and still do justice to childishness. It was a very difficult movie to watch. My head is still spinning, now mostly in frustration. I knew when I first read the full scenario that he made the movie to have his cake and eat it too, and I was hoping he'd pulled it off. He didn't.

Thursday, August 27, 2009

Arabist
Happy Birthday H.P. Lovecraft. I highly recommend the essay on him by the French reactionary writer (and one of my favorites, to be honest – I don't care about his views on Islam) Michel Houellebecq.
The comment made me smile (I don't care about Lovecraft).  It makes a nice counter-example to the American liberal political class and their arguments from predetermined ideas and assumption.

It's good to take the opinions of the opinionated with a grain of salt, but it's better when they find ways to help you do it.  That's El Amrani's understanding of Houellebecq.  It's also there in the self-counsciously haute bourgeois leftism of AbuKhalil. It comes down to an awareness of your own contradictions, even if you'd never admit that awareness in public.

It's impossible for a self-aware adult and anti-Zionist not to know the reality of Jewish suffering, even if he can't defend the choices of the survivors and their descendants. The knowledge that victimizers were once victims can only reinforce the moral opposition to their actions. So it makes sense that AbuKhalil's bluster would never be as shallow as Duncan Black's contempt, nor his contradictions a match to Josh Marshall's hypocrisy.

Wednesday, August 26, 2009

Polling and Passivity again. Our best and brightest dedicate their lives to finding out what the rest of us think, relieving them of the obligation to examine what they themselves value. Also: Department of the fucking obvious.

Tuesday, August 25, 2009

"Although art is no longer a part of the religious system, having become autonomous like all other value-systems since the breakup of that all-encompassing system of religion, reinforcing this autonomy with the principle of l'art pour l'art, nonetheless, art even today has set down its own private theology in a series of aesthetic theories, and continues to hold to its highest value-goal, and this, too, continues to hover in the realm of the infinite, be it called "beauty," "harmony" or whatever else. And the ethical demand made of the artist is, as always, to produce "good" works, and only the dilettante and the producer of kitsch (whom we meet here for the first time) focus their work on beauty.

For the esthetic in general as an expression of the supreme ultimate value of a sustem can influence the result of ethical action only secondarily, just as "wealth" is not the main goal but the side effect of individual commercial activity. And "wealth" itself is an irrational concept. It is an almost mystical process, the setting of ethical values: Arising from the irrational, transforming the irrational to the rational, yet nonetheless it is the irrational that radiates from within the resulting form." 
"...religious belief is not required, but at most just that self-evident religio without which there is no desire for knowledge, not even the desire for atheism."
Hermann Broch, "Evil in the Value-System of Art" and "The Spirit in an Unspiritual Age", in Geist and Zeitgeist: The Spirit in an Unspiritual Age
For most of the above you could switch out art for science: Why go to Mars? "Because we need to know." The logical or in art's case formal structuring of a desire which is itself always irrational.
Maybe from now on every time I read Atrios moralize and posture about torture I'll link to this.
Is mediocrity better than it used to be? I don't know.

Is it good that Atrios considers himself a Europhile? is it good that Josh Marshall feels obligated to call himself an "internationalist"?
The discourse of people who imagine their own assumptions about themselves define what they are.
The same arrogance; the same indifference to history (to the facts and the processes) but a little more knowledge: call it progress.

Sunday, August 23, 2009

Brian Leiter for the Democracy override dead man's switch.

The arch-technocrat against the troglodytes; as if the failure of democracy weren't as much his responsibility as theirs, or since he considers himself a teacher and a leader much more his responsibility. And unless you're an absolute determinist, it is. By his own logic society like every other fish rots from the head.
---
correction: Leiter sees himself as a member of the elite but specifically not a leader. Technocratic logic as a form of Platonism: an aristocratic interest in true form.
"Personally I am very pessimistic," Miyazaki says. "But when, for instance, one of my staff has a baby you can't help but bless them for a good future. Because I can't tell that child, 'Oh, you shouldn't have come into this life.' And yet I know the world is heading in a bad direction. So with those conflicting thoughts in mind, I think about what kind of films I should be making."

Saturday, August 22, 2009

This was covered here
It’s called post-humanism, or pre-humanism redux.
What Salmon is referring to is the boy at Starbucks with a coffee bean tattooed on his forearm, a member of the "Barista tribe." 
As I wrote on his page:
It’s the public proclamation of loyalty to a subculture; documenting the need to belong; atomization and the rise of pathologically over-determined imagined communities etc.
 etc. etc. It’s the sociality of baroque individualism.

We now have food geeks as well as science geeks, all with the moral philosophy of Asperger’s patients: so fixated on their mania for [tube amps/Pouilly-Fuissé/Ducati two-stroke engines] that you’d be a fool not to hire them for your [high-end audio store/restaurant/Soho motorcycle salon]. Why be a well rounded adult when you can be an eternal [pre]adolescent and expert, and a happy cog and servant?
"If the anthropocratic civilization of the Renaissance is headed, as it seems to be, for a 'Middle Ages in reverse'... "
Panofsky (1955)
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"They enjoy their anomie as long as they can claim that it's vicarious."
Or they mourn the losses their own logic brought about.

Friday, August 21, 2009



The top image of course is from a movie.
"This Court has never held that the Constitution forbids the execution of a convicted defendant who has had a full and fair trial but is later able to convince a habeas court that he is ‘actually’ innocent.”

That Nino, such a stickler for detail.
ration |ˈra sh ən; ˈrā-|
noun
a fixed amount of a commodity officially allowed to each person during a time of shortage, as in wartime : 1918 saw the bread ration reduced on two occasions.
• (usu. rations) an amount of food supplied on a regular basis, esp. to members of the armed forces during a war.
• ( rations) food; provisions : their emergency rations ran out.
• figurative a fixed amount of a particular thing : their daily ration of fresh air.
verb [ trans. ] (usu. be rationed)
allow each person to have only a fixed amount of (a particular commodity) : shoes were rationed from 1943.
• ( ration someone to) allow someone to have only (a fixed amount of a certain commodity) : they were requested to ration themselves to one glass of wine each.
ORIGIN early 18th cent.: from French, from Latin ratio(n-) ‘reckoning, ratio.’
Neither Brain Leiter nor Peter Singer seems to know what the word means They're not alone [Leiter puts it in scare quotes without really questioning the use.] If either of them thought about it a bit they'd see why people worry about the implications. Insurance companies have set amounts they are willing to pay per service and per contract, but there is no "rationing" in Canada, or France, or England: there is no set amount government is willing to pay for any given person over the course of their lives. And the decision to end care is based on current information and common sense -as defined by the people involved- not contract or profit.

Ask why people are upset, don't assume they think about things the same way you do. And if one of you is wrong don't assume its always the non-"expert."

Wednesday, August 19, 2009

WaPo's Mouthpiece Theater, which was designed as a response to Stewart and Colbert, was the product of a misunderstanding. Dana Milbank and Chris Cillizza strained to be subjective because they spend most of their life pretending to be objective. Stewart and Colbert don't try to be objective, it's impossible. They try to be honest.

The Daily Show With Jon StewartMon - Thurs 11p / 10c
Heal or No Heal - Medicine Brawl
www.thedailyshow.com
Daily Show
Full Episodes
Political HumorSpinal Tap Performance

Stewart on CNN in 2000
CALLER: I was wondering, is it hard to make political jokes and not be on, like, either side?
KING: You can't be for either side.
STEWART: No, that's not true I mean I think you -- most people can't hide their political.
KING: I think you're a Democrat, Jon.
STEWART: I think that's probably correct. I think I would say I'm more of a socialist or an independent but, yes, I mean, no one would ever I think watching our show think that, boy, that guy is just leaning so far right.
KING: But you would knock the Democrats...
(CROSSTALK)
STEWART: Oh, sure.
There's also some discussion of judgement and timing, of reading and misreading, of making mistakes before an audience. Performance is empiricism: judging action and reaction, judging the connect and disconnect between ideas and behavior.

Many of the people who ridiculed Milbank and Cillizza have no better understanding of what went wrong than they do.

Monday, August 17, 2009

"I've said a bunch of times that elite journalists oddly cling to authority rather than expertise..."
Geithner is an expert, Summers is an expert, and the people who advised Clinton to "end welfare as we know it" were experts. "The Best and the Brightest" were experts. Know-everythingism is the know-nothingism of the American elite, and the rest of the world is left to cringe, cross their fingers, and pray.

So, continuing from the previous post: Duncan Black's expertise doesn't make him any more curious or observant, just as Josh Marshall's moral seriousness doesn't make him any less a knee-jerk nationalist and racist. Zionism is Garveyism for Jews, but Jews are white enough that it's taken very seriously.

The rightward turn in American economic policy began with Carter, not Reagan. Clinton was to the right of the contemporaneous conservative Prime Minister of Canada and Gingrich complained that Clinton had usurped Republican policies. Some thought should be given to the possibility that the Republican party and base moved to the right because they had no choice: they defined themselves not on policy but opposition. Liberals did somewhat better, defining themselves in terms of social policy not economic policy and allowing at least some logic to their choice to keep the name.

Murdoch as I've pointed out many time by now, gave us both Fox News and The Simpsons. TPM and the rest of new liberal media owes its existence to Fox. If it weren't for Murdoch none of them would have even heard of I.F. Stone. Still, none of them come close.

If our popular political press were as honestly vulgar as our entertainment press we'd be safer, but they take themselves too seriously and put us all at risk. The popular press consider themselves experts, and they are, but their expertise is journalism, and journalism is a trade, nothing more.

Technocracy champions expertise. As a child of academia it's founded on collaboration, not adversarialism: trust the experts to manage others' discord. And the press considers itself our managers while real experts are aghast. Still, American experts as the above makes clear—whatever their protests—are Americans first. And our experts love The Sopranos. They enjoy their anomie as long as they can claim that it's vicarious.

Here's popular left-liberal intellectual Rick Perlstein on the CIA
“The Company” had long exploited the imperative of operational secrecy to avoid accountability for its failures (like neglecting, in 1973, to anticipate Egypt’s invasion of Israel).
In the past, left-liberals worried less about the CIA's failures than its successes.

And here's some tasteful but sophisticated mainstream left-liberalism from 1965, that's no longer mainstream, tasteful, or left-liberal:


Times change.
Sometimes it's just depressing how stupid these people are. The complete lack of capacity for introspection. 

I was going to mention the following yesterday morning, but decided not to. Later in the afternoon I shared an accidental drink and a short conversation with a woman from Seoul, and the discussion drifted to culture and politics. In March 2007, when it was released in the US, Atrios linked twice to the webpage and the NY Times review of the Korean allegorical monster movie The Host: "Because what's the point of blogging if you can't plug stuff that members of your extended family star in." 

The heroes of the movie are burned-out survivors of the student uprising in 1980, considered South Korea's Tiananmen, and the villains of the piece are the US and Jimmy Fucking Carter. Atrios' wife I'm sure is aware of this, and I have to assume she made it clear to him, but maybe no. Or maybe it just didn't interest him much. Either way there's a direct link between his cluelessness or indifference to cultural complexities of any sort and his inability to respond or do more than add to the banalities of Benen and Bartlett.

Sunday, August 16, 2009

Briefly:
Thinking about Sasha Baron-Cohen and Woody Allen as Jewish comics and as Zelig. Allen begins visibly a Jew laughing at and with/for Jews. Baron-Cohen's Jewishness is used as secret knowledge; he's invisible, the old anti-Semitic trope, while Jews are the one group he hasn't mocked. Also unlike Allen, he takes his religion very seriously. Allen is egocentric but self-deprecating, if only under strictly controlled circumstances. Baron-Cohen under the same circumstances is moralizing and sadistic.