Granta, "Once Again, Germany Defines Who Is a Jew | Part I"

 "Forensic Architecture".  I said I was going to write more, but I'm not sure I have the patience.

Weizman:  I don’t think it’s controversial to say that freedom of expression needs to be measured in relation to hate speech, and the safety and dignity of survivors. 

It's not controversial unless you defend freedom of speech. Giving the state the right to measure speech led to the censorship that he opposes. But of course he follows the German idea of freedom, which is also the academic model for permissible speech.

Kant: A lesser degree of civic freedom, however, creates room to let that free spirit expand to the limits of its capacity.

And this becomes scholastic perversity of Forensic Architecture's "investigative aesthetics", which is the model of journalism as art, and the parallel fantasy that art is "truth".

And we're back the this. 

Forensic Architecture: Violence at the Threshold of Detectability, published by Zone, of course. 

But the most offensive thing about he piece in Granta is the pathological blindness to things at the core of German- and European-Israel relations. Herzl was right."The anti-Semites will become our most dependable friends, the anti-Semitic countries our allies", once we leave. Weizman and EDB are too close to their German and Zionist roots, too loyal to both, to see the obvious.