Interestingly or not Jacobin has an affiliated site that publishes art criticism. [not affiliated, just on good terms]
One of the pieces featured on the sidebar link is titled Sealing Off the Wonder of the Sublime, a review of a show at the James Cohan Gallery.
I've known Cohan for 26 years. I worked with him at another gallery. I've known his director for just as long. I know five of his artists. It's a small world, the world of artisans, boutiques, and clients for (at a minimum) $100,000 objets d'art.
Another piece, a music review.
undun: The Roots reclaim hip-hop for the corner
How many times has that paragraph been written in the past 150 years?This nigga raps with a razor, keep it under my tongueThat’s Nas on 1994’s “Represent”. Here’s the Notorious B.I.G. on “Things Done Changed”, also from 1994
The school drop-out, never liked the shit from day one
Cause life ain’t shit but stress, fake niggas and crab stunts
So I guzzle my Hennessy while pulling on mad blunts.
Talk slick, you get your neck slit quickAnd from that same year, 2Pac on “Cradle to the Grave”
Cause real street niggas ain’t having that shit
Toting Tecs for rep, smoking blunts in the project hallways
Shooting dice all day.
See, the doctor tried to smack me, but I smacked him backI was a child when I first heard these lyrics, and the onset of a quenchless thirst for more was immediate, but met with impediment. I remember well the constant denigration that hip-hop was violent, nihilistic, ugly, bad.
My first words was ‘Thug for life’ and ‘Papa, pass the mac’
I’m busting on these motherfuckers baling
Listen, you can hear my mini fourteen calling.
The author:
The piece gets better and perhaps the photo was unnecessary. I could be accused of mocking bourgeois political commitment but I'm not; I'm mocking naive and openly hypocritical bourgeois commitment. Jadaliyya is absolutely bourgeois. The question is why it's so much better than Jacobin.
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