Wednesday, October 14, 2009




Picasso, Mandolin and Guitar, 1924. Oil with sand on canvas, 55 3/8 x 78 7/8 inches. Guggenheim Museum, NY.

The painting has always annoyed me; predicting the future a la Jules Verne, but instead of a submarine we get a surprisingly accurate portrait of the artist as an old man, 40 years ahead. And I've never been a fan of Arcimboldo.
It was part of the template for cartoons from the late 50's and early 60's, Warner Bros. and Disney—cubist and surrealist design motifs—through many others, including Dufy and Ludwig Bemelmans. Look at the window and the door on the right: the flat shadows and light. In the flatness of a reproduction it's easier to see. None of this makes it any better, any less contrived or over-determined.
Actually I've always hated this fucking painting. It's Pop without irony.

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