Sunday, February 20, 2011

Can you or Sterling give one example in history where a work of “speculative culture” has been remembered as anything more than a record, and therefore at its best a description, of the time of its production?
Below repeated from May 2008.










In re: Baudelaire on "Philosophic" Art.
Watchmen, and Alfred Rethel from 1849, and 1851.

plus ça change

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